Specific analog systems like RS7000 didn’t give sidechain problems, thus delivering low-level muddiness when kick played with bass by certain bass levels to a mere better quality process. Usually, trance contained problems in the early 1990s thus, companies like Sony used a higher range ohm through the system, delivering more vibrant and lovely sound by playing bass and kicking together. They will not comment on your tracks and would most likely step to listen to something else if they genuinely don’t have a high impedance that often can filter specific muddiness.

Thus then giving characteristics of being muddy or at least annoying sound to most listeners. Making your track very different bad from many other newcomers who use side-chain. Not using a sidechain can cause that kick to be somehow at a higher level when the bass is played together. This the easy tutorial Send kick to a channel, then send the kick to another mixer channel, then in the first have -12ms delay, and in the second mixer channel have your peak controller, which then adjusts the parametric EQ 2 200Hz cut, which is connected to the peak controller on the kick you have, which makes holes for the kick to play freely when bass plays. Learn a technique of Sidechain to remove muddiness and add room for a kick with the bass that is played in your track, like professional:

Therefore it’s often important to sidechain the kick with the bass and the 808 with either the bass or bass with the 808. When you make a track, most often your bass and kick will play together.

Fl studio side chain